One of the most interesting things about the totally inexplicable Labour poster is the way that the character of DCI Gene Hunt obviously means completely different things to different sectors of political opinion. I’ll say now that I don’t watch either Ashes to Ashes or Life on Mars (although that is based in the 1970s) but my understanding is that he represents everything good – and bad – about how policing used to be before the reforms of the 1990s.
I know him best from the Marks and Spencer ad where he ogles a female model in a harmless enough way – although this was enough to get some people worked up. That is clearly the side that Labour is aiming for – the corrupt, brutal and amoral character that Hunt is in Life on Mars. But what Labour has spectacularly failed to grasp is that the people who see him in that way are people who think like the London-centric, politically-correct Islington sushi set; and the vast majority of people have, as the Grauniad said – the Grauniad , for goodness’ sake – “taken to our hearts” the character of Gene Hunt. People in Britain like a loveable rogue.
Ironically, in the 1980s series Ashes to Ashes, Hunt is a different character – more professional, loyal and with a host of good qualities he lacked previously. Which begs the question of whether Jacob Quagliozzi, the poster’s designer – who was four or five years old when the 1980s ended - actually watches Ashes to Ashes either?
Whatever the reason, Labour has catastrophically misjudged the majority’s viewpoint. People might have reservations about some things that went on in the 1980s but I can remember a time when police were out on the streets rather than filling in forms. I also see that rates were dramatically less by percentage of income, petrol cost a quarter of what it does now and houses exchanged hands for something like the cost of building them rather than a four or five times premium. Everyone had a NHS dentist, doctors gave out appointments in the week they were requested and councils didn’t hand out fines for selling goldfish, or engage in social engineering.
You can see what Mr Quagliozzi had in mind – there are some things about the 1980s that weren’t so great. I just about remember the Miners’ Strike and while British de-industrialisation was necessary in the face of foreign competition, I will never support that the way some of our northern communities were treated. Thirty years on, dozens and dozens of towns across the north will never vote Tory because of the appaling way they were treated and there is some justice in that.
Those towns will “get” this poster (although it’s probably not appearing there). But they won’t vote Conservative anyway. For the majority of people, Gene Hunt is something entirely different and Labour have shown in splendid technicolor how they have become unable to engage with people who don’t think as they do. Up until this point, the Conservative posters have been rubbish. The airbrushed one of DC was limp and corporate and the Saatchis were brought on board to rescue a sorry situation. Luckily, Labour has gifted them the defining image and slogan of this election – Fire up the Quattro. It’s time for change.





